Modern & Contemporary Art Collection
Blog About Modern & Contemporary Art For Sale At Untitled Art Gallery
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Saturday, July 27, 2024
Taffy, 1968 by Gene Davis
Wednesday, June 26, 2024
Etude de fruits et de feuilles de néflier (Study of medlar fruits and leaves), 1944 by Henri Matisse
Etude de fruits et de feuilles de néflier (Study of medlar fruits and leaves), 1944; Black Conté crayon on paper; Signed and dated 'H Matisse 44' lower right; With original Certificate of Authenticity from Archives Matisse; Size - 16 1/2 x 12 1/2", Frame 28 x 23 1/2"; Framed with a black wood frame, floated and matted with acid free white mats, black wood fillet, and UV conservation clear glass; Provenance, Exhibition History, and Price are Available On Request!
To purchase this work or to visit the Art Gallery, CLICK HERE!
Henri-Émile-Benoît Matisse (1869 – 1954) was a French artist who was known for both his use of colour and his original draughtsmanship. He is commonly regarded, along with Pablo Picasso, as one of the twentieth century’s greatest artists who redefined the visual arts of painting and sculpture. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly being hailed as a leader in the classical tradition of French painting. His artistic creation spanned over a half-century, and he is now considered a leading figure in the modern art movement.
2003-January 2004, p. 131 (illustrated)
Pontoise, Musée Tavet-Delacour, Henri Matisse, fleurs, feuillages et
fruits, May-June 2005, p. 39, no. 28 (illustrated)
Nice, Musée Matisse, Cinématisse, 2019
Georges Matisse has confirmed the authenticity of this work.
Wednesday, April 3, 2024
Circle II (III-5), from Handmade Paper Project, 1978 by Kenneth Noland
In October of 1952 Helen Frankenthaler, after a trip to Nova Scotia, had a breakthrough with a painting entitled "Mountains and Sea." The painting was abstract and rather than painting the landscape that she saw on her trip, the work portrayed the experience itself. The abstract image was painted using a "soak stain" technique, whereby unprimed canvas duct is painted using oil paint that had been heavily thinned with turpentine. The effects of the technique reinforced the abstract nature of the landscape painting; and when the artists Kenneth Noland and Morris Louis saw it in her studio in New York, their own painting styles were forever changed.
"From April to August 1978, Kenneth Noland made images out of paper at Tyler Graphics in Bedford, New York. Working with oriental and western fibers and bits of colored paper, he produced oer 200 images. The results were staggering. At first glance, many images seem quite like each other. But no two are the same. Colors vary from filmy blues and bright yellows to soft purples and murky greys. Textures range from wafer-thin oriental surfaces, thick as encrusted cardboard. In some pieces image prevail; in some, structure does. Paper-making is never the point, for Noland, it is a way to explore color and create texture."
Tuesday, March 12, 2024
Daydreams Blossom, 2021 by Damien Hirst
Monday, March 11, 2024
Paris Blue Basket Set, 2001 by Dale Chihuly
Chihuly and his team of artists have been the subjects of several documentaries, extensive printed articles, monographs, and collections. For a complete list of Museum collections, please click on the link below:
"Paris Blue Basket Set," 2001 by Dale Chihuly is an exceptional example of Dale Chihuly at his best. This large set is composed of seven brilliant blue pieces each with a black lip. The large basket starts as a dark blue color near the top and then quickly fades to a thiner transparent clear glass, to allow the viewer to see the other art objects inside the basket. An absolutely stunning, large, and complex piece of modern glass by the most important glass artist of his time, and a standout of any art collection!
Sunday, October 22, 2023
Great Criticism - Coca Cola (Green), 2006 by Wang Guangyi
The Political Pop art movement that emerged in China in the 1980s, combined western pop art with socialist realism in order to create art that questioned the political and social climate of a rapidly changing China. The movement also was a creative means by artists to come to terms with the Cultural Revolution. Great Criticism - Coca Cola (Green), 2006 is an excellent example of Wang Guangyi at his best and would be a wonderful addition to any modern art collection!
Untitled (Smile-ism No. 1), 2006 by Yue Minjun
Yue Minjun studied oil painting at the Hebei Normal University and graduated in 1989. In June of that year China was rocked by student-led demonstrations and their suppression on Tiananmen Square. “My mood changed at that time,” he said. “I was very down. I realized the gap between reality and the ideal, and I wanted to create my own artistic definition, whereby there could be a meeting with social life and the social environment. The first step,” he added, “was to create a style to express my feelings accurately, starting with something that I knew really well —myself.”
Close up of the Yue Minjun pencil signature.
Minjun's now iconic laugh was inspired by a painting that he saw by another Chinese artist, Geng Jianyi, in which a smile is deformed to mean the opposite of what it normally means. “In China there’s a long history of the smile,” Mr. Yue said. “There is the Maitreya Buddha who can tell the future and whose facial expression is a laugh. Normally there’s an inscription saying that you should be optimistic and laugh in the face of reality."
"So I developed this painting where you see someone laughing,” Yui said. “At first you think he’s happy, but when you look more carefully, there’s something else there. There were also paintings during the Cultural Revolution period, those Soviet-style posters showing happy people laughing,” he continued. “But what’s interesting is that normally what you see in those posters is the opposite of reality.” Yue made the decision to paint himself as the smiling figure giving him a greater margin for freedom of expression. “I’m not laughing at anybody else, because once you laugh at others, you’ll run into trouble, and can create obstacles,” he said. “This is the way to do it if you want to make a parody of the things that are behind the image,” he stated.
The Cynical Realism art movement that emerged in China began in Beijing in the 1990s, and has become one of the most popular Chinese contemporary art movements in mainland China. The movement arose as Chinese artists broke away from the collective mindset of the Cultural Revolution in the pursuit of individual expression. The resulting works of art focus on social and political issues that are transformed using humor. There is also a post-ironic take on the transition that Chinese society has undergone from Communism through industrialization and modernity.